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What we do

Studio, camera, lighting, sound and live production services

starlova

Six services for television networks and live events, from the first layout drawing to crewing on the day, each described by what it involves and what you need to provide.

Our services

Six services that cover a studio or live event

starlova designs broadcast studios, configures camera control, plans lighting, engineers sound, crews live events and reviews production workflows. Clients can take one service alone or combine several, since the same small team handles each area and shares drawings and signal lists between them.

  1. Broadcast Studio Design

    Layout, acoustics and cabling plans for television studios, drawn up to suit your programmes and crew.

  2. Camera Control Systems

    Setup and configuration of camera control units, remote heads and shading for multi-camera productions.

  3. Professional Lighting Design

    Lighting plots and rigs for studio shows and live stages, balanced for camera and audience.

  4. Sound Engineering

    Audio capture, mixing and monitoring for broadcasts and live events, from microphones to final mix.

  5. Live Event Production

    Crewing, vision mixing and signal routing for conferences, concerts and televised live events.

  6. Workflow Consultancy

    Reviews of ingest, editing, review and delivery steps to help production teams work with fewer handovers.

Scope is agreed in writing before work begins. If you are unsure which services you need, describe the production and we will suggest where to start.

Contact
How a project runs

From first enquiry to delivery, step by step

Every project follows the same order, whether it is a studio layout or a single live event. The steps keep decisions in writing and give you a point to pause, question or change direction before further work is done.

  1. Enquiry through the contact page

    You send a short description of the production: what is being made, where, and for whom. We read it, note anything unclear and reply with questions rather than assumptions, so the brief we work from is accurate.

    What you leave withA confirmed outline of your production and the questions still open.

  2. Discussion and site or studio review

    We talk through requirements with your engineers or producers and, where useful, look at the space or existing system. This is where practical limits such as power, rigging points and room acoustics come out.

    What you leave withNotes on requirements, constraints and what the project depends on.

  3. Written quotation

    We set out the work, what the price includes and what could change it, in plain terms. You can question any line and ask for the scope to be adjusted before agreeing.

    What you leave withA written quotation you can accept, amend or decline.

  4. Planning and preparation

    Once confirmed, we produce the drawings, signal lists, lighting plots or run sheets, and test equipment in our workshop. Your team reviews the plans so everyone works from the same documents.

    What you leave withApproved plans, schedules and a crew list for the work.

  5. Delivery, handover and invoice

    We carry out the installation, event or review, then hand over documentation and settings notes. An invoice follows, paid by bank transfer, with cancellations and refunds handled under the payment and refund policy.

    What you leave withCompleted work, handover documents and a final invoice.

In more detail

Broadcast Studio Design

  1. Layout and sightlines

    We draw floor plans showing set position, camera positions, monitor wall and control areas, checking sightlines and crew movement. You receive drawings your own engineers can mark up and question.

  2. Acoustic treatment planning

    We assess how the room sounds and suggest treatment and microphone positions suited to your formats. The advice covers what to change in the space and what can be managed with careful mixing.

  3. Cabling and signal routing

    A cable schedule sets out routes, labelling and patching for video, audio, tally and data. Clear labelling now makes fault-finding straightforward years later.

  4. Coordination with other services

    Lighting, camera control and sound plans are drawn together so power, rigging and routing do not clash. If you want only the studio design, we hand over plans that work with your other suppliers.

Send us a message

Call us
01452 580316
Write to us
hello@starlova.info